Exhibitions

 

2017

A Show Yet to be Titled, 83 Pitt Street, New York, NY

 

2016

Past Continuous, Tiger Strikes Asteroid, Brooklyn, NY

Selections from ‘The Island Position’, solo exhibition, Kate Werble Gallery, New York, NY

Duplify, Kate Werble Gallery, New York, NY

 

2015

The Pure Products of America Go Crazy, Center for Creative Photography, Tucson, AZ

Human Apparatus, Klemm’s, Berlin, Germany

If There Was, solo exhibition, Kate Werble Gallery, New York, NY

The Pure Products of America Go Crazy, Pratt Institute, Brooklyn, NY

 

2014

Paris Photo LA, solo exhibition, Los Angeles, CA

Remake/Remodel, Kate Werble Gallery, New York, NY

Expecting Reality, Second Street Gallery, Charlottesville, VA

A Collective Invention: Photographs at Play, The Morgan Library & Museum, New York, NY

 

2013

White, Dickinson Roundell Inc, New York, NY

Annie Lapin, John Lehr, Alon Levin, Philip Vanderhyden, Andrew Rafacz Gallery, Chicago, IL

Low Relief, solo exhibition, Kate Werble Gallery, New York, NY

 

2012

NADA Art Fair with Kate Werble Gallery, Miami Beach, Florida

 

2011

Temporary Home, Guest Spot, Baltimore, MD. Curated by Carl Gunhouse.

stet, solo exhibition, M+B and François Ghebaly Gallery, Los Angeles, CA

Gibberish, solo exhibition, Hagedorn Foundation Gallery, Atlanta, GA

 

2010

stet, solo exhibition, Kate Werble Gallery, New York, NY


 

2009

[sic], Kate Werble Gallery, New York, NY

Commercial Paper, Barbara Walters Gallery, Sarah Lawrence College Bronxville, New York

Worlds Away: New Suburban Landscapes, Yale University School of Architecture Gallery. Organized by Andrew Blauvelt.

Sparkling Fresh, NY Studio Gallery New York, New York

 

2008

The Printed Picture, Museum of Modern Art, New York, NY. Organized by Peter Galassi and Richard Benson

Thursday the 12th, Kate Werble Gallery, New York, NY

White Noise, solo exhibition, MARCH, New York, NY

Worlds Away: New Suburban Landscapes, Walker Art Center and Carnegie Museum of Art, Minneapolis, MN, and Pittsburgh, PA. Organized by Andrew Blauvelt.

Signs, Mount Tremper Arts, Mt Tremper, NY. Organized by Mathew Pokoik.

 

2007

Outpost: Tim Davis, John Lehr, and Michael Vahrenwald, Susanne Hilberry Gallery, Ferndale, Michigan

 

2006

Storefront Stories, Yancey Richardson Gallery, New York, New York

 

2005

Closer to Home: The 48th Corcoran Biennial, The Corcoran Gallery of Art, Washington, DC. Organized by Jonathan Binstock and Stacey Schmidt.

Yale MFA Photography Thesis Exhibition, Yale School of Art, New Haven, Connecticut

The Physical Print, Jonathan Edwards College, Yale University, New Haven, Connecticut. Organized by Richard Benson.

Yale MFA Exhibition, Ellen Battell Stoeckel Estate, Norfolk, Connecticut

 

2003

Collected Evidence, Artspace, Richmond, Virginia. Organized by Elizabeth Schlatter.

 

2000

Artscape Annual, Decker Gallery, Baltimore, Maryland. Organized by Helen Molesworth and Lorna Simpson.

 

1999

Critics Residency Program, Maryland Art Place, Baltimore, Maryland. Organized by Ingrid Schaffner.


 

Bibliography

Wolukau-Wanambwa, Stanley. “Between Immersion and Interpretation: Charlotte Cotton’s ‘Photography is Magic’” The Great Leap Sideways, 2016  

Cotton, Charlotte. “Photography is Magic”, Aperture, 2015

Chuang, Joshua. “The Pure Products of America Go Crazy”, Center for Creative Photography, 2015

Hirsch, Faye. “John Lehr: Kate Werble,” Art in America, 2013

Wilson, Michael. “John Lehr Low Relief at Kate Werble Gallery,” Artforum, 2013

Aletti, Vince. “John Lehr at Kate Werble Gallery,” The New Yorker, 2013

Gunhouse, Carl. “John Lehr, Stet at Kate Werble Gallery” Searching for the Light Blog, 2011

Feaster, Felicia. “Architecture Takes its Lumps in Katie Bollman Walker and John Lehr Photographs at Hagedorn Gallery,” ArtsCriticAtl.com 2011

Quagliata, Gail Victoria Braddock. “JOHN LEHR Stet,” The Brooklyn Rail, December 2010

Genocchio, Benjamin. “From Malls to Homes to Cars, the Transitioning of Suburbia” The New York Times, 2009

Cotton, Charlotte (ed). “Words Without Pictures,” Los Angeles County Museum of Art, 2009

Blauvelt, Andrew (ed). “Worlds Away: New Suburban Landscapes,” Walker Art Center, February 2008

Tysh, George. “Three Degrees of Saturation,” Detroit Metro Times, April 2007

Cotton, Charlotte. “What's so Contemporary about Photography at Yale?” Yale Art Gallery Bulletin, December 2006

Atwood, Roger. “The 48th Corcoran Biennial,” Artnews, June 2005

Lawrence, Sidney. “Uncorked," Artnet.com, June 2005

Gopnik, Blake. "The Everyday, Turned on Edge,” The Washington Post, March 2005

O'Sullivan, Michael. “The Corcoran in Earnest,” The Washington Post Weekend, March 2005

Maher, Janet. “Artscape in Review,” Peek Review, July 2000

Schaffner, Ingrid and Schlatter, Elizabeth. “Critics Residency Program,” The Washington Review, March 1999

 

Publications

 

2016

El Camino Real, Roman Nvmerals, New York, NY

Else #11, Musée De L’Elysée, Lausanne, Switzerland

 

2015

Photography is Magic, Aperture, New York, NY

C Photo “Don’t call me a Photographer”, Ivory Press, Madrid, Spain

The Pure Products of America Go Crazy, Center for Creative Photography, Tucson, AZ

 

2013

Blind Spot Magazine 20th Anniversary Issue

Wax Magazine, New York, NY

Notes from the Foundry, Spaces Corners, Pittsburg, PA

 

2011

Generous Structures, Casco, Utrecht, The Netherlands

 

2008

Worlds Away: New Suburban Landscapes, Walker Art Center, Minneapolis, Minnesota

 

2005

The Physical Print, Jonathan Edwards College, Yale University, New Haven, Connecticut

Closer to Home: The 48th Corcoran Biennial, Corcoran Gallery of Art, Washington, DC

 

Public Collections

The Cleveland Clinic

The Corcoran Gallery of Art

The Davison Art Center, Wesleyan University

The Metropolitan Museum of Art, New York, NY

The Morgan Library and Museum, New York, NY

The Museum of Modern Art

The Yale University Art Gallery

 

Education

Master of Fine Arts, Yale University, New Haven, Connecticut, 2005

Bachelor of Fine Arts, Maryland Institute College of Art, Baltimore, Maryland, 1998